Wing IV · Technology, AI and Algorithmic Control · The First Wing to Open

Paternalism
in Medical AI

The wing collects the institutional record on patients, artificial intelligence, and the question of who is allowed to know. Its scope will broaden as acquisitions arrive from adjacent algorithmic domains.

Open Continuously · Curated by Gilles Frydman

From the Wing Lobby

This is Wing IV of The Museum of Paternalism, on Technology, AI and Algorithmic Control. It was the first wing to open. It collects the artifacts of a recurring institutional posture as the posture appears in the current moment: artificial intelligence in medicine. The artifacts are real. The journals are real. The bills are real. The hospital memos are real. The wall labels are not neutral. They were not written by the people who produced the artifacts on display.

The curatorial position is that paternalism in medical AI is not a new debate but the latest costume worn by a much older one. The same posture that produced the 1990s warnings against patient communities, the 2010s warnings against Dr. Google, and the 2013 federal cease-and-desist against direct-to-consumer genetic testing now produces the 2026 bills, editorials, and hospital notices on AI. The vocabulary updates. The premise does not. The museum's other wings, on Medicine, on Women and Misogyny, on Psychiatry, Disability and Neurodivergence, document the populations on which the pattern in this wing has been most thoroughly tested. Wing V, on The Right to Interpret, is the museum's structural answer.

Each exhibit is presented with its full provenance so that the visitor may verify, contest, or extend the reading. The wall labels do not summarize the artifacts. They interrogate them. Cross-references between exhibits are noted where the through-line is structural rather than incidental.

There is no audio guide. The artifacts are loud enough. The visitor is welcome to spend time, return, or leave with a contradiction unresolved. The wing is open continuously and the acquisitions desk takes submissions.

Gilles Frydman, Curator
The Museum of Paternalism, 2026

Reading Room

A Brief Chronology of the Same Posture

Read across the rows. The names of the technologies change. The institutional response does not.